There are six of them. They meet in a soundproof room and discuss whatever small pieces of information they have about the enemy. They are Control (John Hurt), Alleline (Toby Jones) Haydon (Collin Firth), Bland (Ciaran Hinds), Esterhouse (David Dencik) and George Smiley (Gary Oldman). Together they are the braintrust of early 70's era British Intelligence, known as "The Circus." Once of them is a mole.
Someone once told me that by the end of a John Le Carré novel, you are likely to know the characters better than some members of your immediate family. Indeed, one of the great pleasures of Tomas Alferdson's new thriller Tinker Tailor Soldier Spy, based on Le Carré's 1974 novel, is realizing how complex the plot has become despite seeming so simple. Here is a spy movie that is neither a slamb-bang action spectacle, nor a talky gabfest. Most importantly, this is a film that understands the mindset of espionage. It's hero, George Smiley, doesn't shoot anyone, he barely talks to anyone. He's turned being inconspicuous into a life pursuit.
As the film begins, there is a screw-up in Hungary. An agent is killed while trying to convince a general to defect. It seems that the whole thing was a Russian trap. The consequences of the debacle shake up the Circus. Control and Smiley are forced out, and the egotistical Alleline takes the top chair. A year later Control is dead. His untimely death came before he was able to find the mole. The investigation falls to the retired Smiley, who accepts with something approaching mild annoyance.
There are many, many details to the plot. Many involve Smiley interviewing several operatives, including a disgraced courier Ricki Tarr (Tom Hardy), and the still active supervisor Guillam (Benedict Cumberbatch). The interviews play out almost like therapy sessions. Smiley doesn't say much, he points in the direction he wants with open-ended questions (more frequently, open-ended nods), and lets them talk. As a result, we learn a lot about what makes these people tick, particularly Tarr, but nothing is extraneous. There is tragedy and pathos but emotion is not overplayed. In fact, it's often very, very repressed. This is after all, a British film.
Aferson, who made a splash with the Swedish vampire movie Let The Right One In, has made a film for people who are paying attention, and a film to watch more than once, of small details. Aferson isn't concerned with flash, but still demonstrates one of the best visual eyes on the planet. The performances are, across the board, fantastic. There isn't one weak link to be found. Oldman is excellent with his minimalist performance. The rest of the ensemble is uniformly great, particularly Tom Hardy (Bronson, Warrior) and Mark Strong (Kick-Ass, Sherlock Holmes) who has a small, but pivotal role. This is a clean, efficient film. See it. Ruminate on it, then see it again.
Grade: A
Tinker Tailor Soldier Spy is currently in limited release, it expands to more theaters January 6th.
Someone once told me that by the end of a John Le Carré novel, you are likely to know the characters better than some members of your immediate family. Indeed, one of the great pleasures of Tomas Alferdson's new thriller Tinker Tailor Soldier Spy, based on Le Carré's 1974 novel, is realizing how complex the plot has become despite seeming so simple. Here is a spy movie that is neither a slamb-bang action spectacle, nor a talky gabfest. Most importantly, this is a film that understands the mindset of espionage. It's hero, George Smiley, doesn't shoot anyone, he barely talks to anyone. He's turned being inconspicuous into a life pursuit.
As the film begins, there is a screw-up in Hungary. An agent is killed while trying to convince a general to defect. It seems that the whole thing was a Russian trap. The consequences of the debacle shake up the Circus. Control and Smiley are forced out, and the egotistical Alleline takes the top chair. A year later Control is dead. His untimely death came before he was able to find the mole. The investigation falls to the retired Smiley, who accepts with something approaching mild annoyance.
There are many, many details to the plot. Many involve Smiley interviewing several operatives, including a disgraced courier Ricki Tarr (Tom Hardy), and the still active supervisor Guillam (Benedict Cumberbatch). The interviews play out almost like therapy sessions. Smiley doesn't say much, he points in the direction he wants with open-ended questions (more frequently, open-ended nods), and lets them talk. As a result, we learn a lot about what makes these people tick, particularly Tarr, but nothing is extraneous. There is tragedy and pathos but emotion is not overplayed. In fact, it's often very, very repressed. This is after all, a British film.
Aferson, who made a splash with the Swedish vampire movie Let The Right One In, has made a film for people who are paying attention, and a film to watch more than once, of small details. Aferson isn't concerned with flash, but still demonstrates one of the best visual eyes on the planet. The performances are, across the board, fantastic. There isn't one weak link to be found. Oldman is excellent with his minimalist performance. The rest of the ensemble is uniformly great, particularly Tom Hardy (Bronson, Warrior) and Mark Strong (Kick-Ass, Sherlock Holmes) who has a small, but pivotal role. This is a clean, efficient film. See it. Ruminate on it, then see it again.
Grade: A
Tinker Tailor Soldier Spy is currently in limited release, it expands to more theaters January 6th.
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