Tuesday, December 20, 2011

TABLOID

The new Errol Morris film Tabloid is the most lurid, off-the-wall documentary to come along in a long time. It tells the story of Wyoming PHD beauty queen, Joyce McKinney who, in the late 70's, fell in love with a flabby Mormon named Kirk Anderson. Joyce claims that his family brainwashed him into not loving her and then sent him off to London to forget about her. From there Joyce went to London, kidnapped him with chloroform and a fake gun. Drove him to a small cottage in Devon and deprogrammed him using, um... bondage sex.

From there things just get odd. After Joyce's arrest for rape and kidnapping, she becomes a media sensation meeting movie stars and rock-gods. She starts writing a book telling her story, stating that she was just an innocent girl who was trying to rescue the love of her life. She quickly enters into a rivalry with London tabloid The Daily Mirror, who disputes her "pure as the driven snow" narrative by revealing the nature of the "modeling" work she used to finance the caper, and claiming to have a plethora of nude photos as evidence.

We hear most of this story from McKinney herself. We also hear a good portion from Daily Mirror reporter Kent Gavin. McKinney claims that the stories about the time she spent in California are flat lies and that the photos are fake. Kent claims that he's seen the negatives that prove they aren't but can't produce them. Joyce also claims to have had material that would prove that they are fake. But sadly, or suspiciously, all the evidence was stolen.

It's clear that Anderson and McKinney had some sort of romantic relationship prior to all the weirdness, but it's unclear to what extent. It's unclear to what extent Anderson did or did not enjoy the "deprogramming," "You can't put a marshmellow into a parking meter," Joyce claims. It is clear that he denounced her after, perhaps out of guilt, perhaps not. The only thing that is certain is that they are not together now.

Morris weaves this tale into an extremely entertaining documentary. McKinney is a prime example of the unreliable narrator. Even if everything she said was true, she'd still come off as a self-serving obsessive at best. But Morris never demonizes her or even criticizes her, instead he sympathizes with her on a deep and real level. It's not as hard as it may seem. Joyce has not lived an easy life since the trial. For years she was hounded by paparazzi. Home videos reveal her to be extremely lonely, perhaps even clinically depressed. She never married and her only companions seem to be her dogs. It's been over 30 years since she kidnapped Kirk Anderson with the chloroform and the fake gun.  She's still working on that book.

Grade: A

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